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John Milton: Complete Poems and Major Prose, by John Milton
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First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.
- Sales Rank: #949168 in Books
- Published on: 1957-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 2.24" h x 6.53" w x 9.56" l,
- Binding: Hardcover
- 1059 pages
Review
This is . . . the best, absolute best Milton anthology. --Cicero Bruce, McMurry University
Thinking that perhaps it was time after fifteen years of using the Hughes edition of Milton to use a newer edition in my graduate classes, I switched for one semester to the Riverside Milton. It took only one semester to realize that what students gained by way of more recent scholarship could not make up for what they had lost by being deprived of Hughes’ introductions. I won’t be switching again for a long time to come. --Noralyn Masselink, SUNY College at Cortland
From the Publisher
The object of this book is to make Milton and what is known about his work as easily accessible as space will permit. With this in mind, Hughes has arranged each of the main divisions of the book--poetry and prose--chronologically and has combined modernization of Milton's spelling and punctuation with preservation of his most conspicuous 17th century typographical peculiarities.
About the Author
John Alvis is Professor of English at the University of Dallas and the Institute for Philosophic Studies.
Most helpful customer reviews
0 of 0 people found the following review helpful.
If you have no Milton, this is the one to get
By Chris Booth
This is the classic edition of Milton's work that I had in college, and the quality of that old book is undiminished. If you are looking for the right Milton, this is it. The notes are thorough but tasteful. I have other editions of Milton, but this is the one I prefer to read.
20 of 20 people found the following review helpful.
Best Collection of Milton Available
By Chris Mullen
This is the best collection of Milton works available that I know of: sturdy, with thick white pages offering ample room for note taking, numerous footnotes, rare works such as Christian Doctrine (which is extremely interesting)and writings from people who knew Milton. Nothing more needs be said. The price, $40 something, is insanely cheap if you consider how much you're paying per work - probably comes out to a couple dollars each.
A lifetime of Milton resides between the durable covers of this book, inexhaustible hours with one of the greatest writers of the English language. Truly, this is one of the most enjoyable books I own.
45 of 45 people found the following review helpful.
The Text to Own
By Bruce Kendall
This is still the most extensive, best-annotated, one-volume Milton set available. As the blurb above indicates, Hughes presents all the poems and prose in chronological sequence, so it is easy to trace the great poet's increasing facility, and later mastery, in both areas. We start with Milton, the fifteen-year-old student, translating Psalms from the Hebrew as well as passages from the love poems of Ovid and Properius. We then follow him to Cambridge, where he really starts assimilating all his classical studies, first fashioning imitative Latin elegies followed by his first poems of native genius, "On the Morning of Christ's Nativity," "On Shakespeare," "L'Allegro and Il Penseroso."
Hughe's edition is invaluable as a tool for students, scholars, or general readers. The notes never get in the way of the text, but will lead the reader to relevant sources should he/she desire to learn more about a given allusion or want more background. If the reader is patient, and actually reads all the material that comes before "Paradise Lost", he/she will be rewarded with a richer understanding of Milton's magnum opus. Please be advised that if you have made it that far, don't stop there. "Paradise Regained" and "Sampson Agonistes" are powerful examples of epic poetry as well. I personally feel that "Paradise Regained" has had almost as large an impact on modern fiction in particular (Dostoevsky and Flaubert are prime examples)as has "Paradise Lost."
Blake said that Milton was of Satan's party without knowing it. Actually Milton's prose does open up some interesting possibilities in that sphere. In "Areopagitica" he advocates for the necessity of evil. He was, as history has amply recorded, hardly a defender of central authority. He was emphatic about individual liberty and wouldn't be dictated to by Pope or King.
There are several short early biographies of the poet at the end of the book. All paint a portrait of an idiosyncratic genius who suffered numerous setbacks both physical and political, particularly in his last decades. He was an extraordinarily brave man, who has taken some heat from Virginia Woolf and later feminists for his "ill use" of his daughters, who, the line goes, he kept in ignorance and near slavery so that they could aid him as ameneunses after he went blind. If such detractors had actually done any wide reading on the subject (Shawcrosse is an excellent source) they would not have made such charges. Though not what could be described as a "loving father," Milton certainly never inveighed against his daughters to remain "indentured" to him, nor did he subvert any marriage plans they arranged (none were forced into "arranged marriages" either, though the practice was still common in that era). He didn't tutor them in the Languages he asked them to transcribe, per se. But this begs the question, if they were'nt taught Latin, Greek and Hebrew, how would they have been able to act as scribes in those languages in the first place?
I'm sorry to see that this volume is now almost $100. In this day of large trade paperbacks, perhaps a more affordable edition will be forthcoming.
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